Oil On Canvas, Real Flavor of Old Masters

All Moran, Thomas 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
19525  
A Pastoral Landscape, Moran, Thomas
  		 A Pastoral Landscape   1889 Oil on canvas Flint Institute of Arts, Flint, MI.
50976  
Blue Spring,lower geyser basin,yellowstone, Moran, Thomas
  		 Blue Spring,lower geyser basin,yellowstone   mk217
19527  
Chicago World's Fair, Moran, Thomas
  		 Chicago World's Fair   1894 Watercolor on paper Brooklyn Museum, New York.
19514  
Children of the Mountain, Moran, Thomas
  		 Children of the Mountain   1866 Oil on canvas Anschutz Collection.
19519  
Cliffs of the Rio Virgin, South Utah, Moran, Thomas
  		 Cliffs of the Rio Virgin, South Utah   1873 Watercolor National Design Museum, New York.
19518  
Cliffs, Green River, Wyoming, Moran, Thomas
  		 Cliffs, Green River, Wyoming   1872 Watercolor on canvas Museum of Fine Arts, Boston.
19522  
Gathering Storm near Maravatio, Mexico, Moran, Thomas
  		 Gathering Storm near Maravatio, Mexico   1883 Oil on panel Private collection.
50972  
Glory of the Canyon, Moran, Thomas
  		 Glory of the Canyon   mk217
19520  
Green River Cliffs, Wyoming., Moran, Thomas
  		 Green River Cliffs, Wyoming.   1881 Oil on canvas Private collection.
19528  
June, East Hampton, Moran, Thomas
  		 June, East Hampton   1895 Oil on canvas Private collection.
50974  
Lower Falls of adam cheek, Moran, Thomas
  		 Lower Falls of adam cheek   mk217
50973  
Lower falls of the yellowstone, Moran, Thomas
  		 Lower falls of the yellowstone   mk217
19521  
Pass at Glencoe, Scotland, Moran, Thomas
  		 Pass at Glencoe, Scotland   1882 Gilcrease Museum, Tulsa, OK.
19512  
Slaves Escaping Through the Swamp, Moran, Thomas
  		 Slaves Escaping Through the Swamp   1862 Oil on canvas Philbrook Museum of Art, Tulsa, OK.
49325  
Slaves Escaping Through the Swamp, Moran, Thomas
  		 Slaves Escaping Through the Swamp   mk195 1863 Oil on canvas 32x43
30889  
Sunset Venice, Moran, Thomas
  		 Sunset Venice   mk68 Oil on canvas Newark Newark Museum 1902 Italy
19513  
The Autumnal Woods, Moran, Thomas
  		 The Autumnal Woods   1865 Oil on canvas.
19526  
The Grand Canal, Moran, Thomas
  		 The Grand Canal   1889 Oil on canvas.
19517  
The Grand Canyon of the Yellowstone, Moran, Thomas
  		 The Grand Canyon of the Yellowstone   1872 Oil on canvas.
31978  
The Grand Canyon of the Yellowstone, Moran, Thomas
  		 The Grand Canyon of the Yellowstone   mk77 1872 Oil on canvas 84x144 1/4in
19516  
Tower Falls, Moran, Thomas
  		 Tower Falls   1872 Watercolor on canvas Gilcrease Museum, Tulsa, OK.
50975  
Untitled lithograph, Moran, Thomas
  		 Untitled lithograph   mk217
19515  
Upper Falls, Yellowstone, Moran, Thomas
  		 Upper Falls, Yellowstone   1871 Watercolor on paper Philbrook Art Center, Tulsa, OK.
19523  
Vera Cruz Harbor, Mexico, Moran, Thomas
  		 Vera Cruz Harbor, Mexico   1884 Oil on canvas.
19524  
View of Venice, Moran, Thomas
  		 View of Venice   1888 water color and gouache over graphite Corcoran Gallery of Art, Washington D.C.
Moran, Thomas
American Hudson River School Painter, 1837-1926 American painter and printmaker of English birth. His brothers Edward (1829-1901), John ( 1831-1902) and Peter (1841-1914) were also active as artists. His family emigrated from England and in 1844 settled in Philadelphia where Moran began his career as an illustrator. He was guided by his brother Edward, an associate of the marine painter James Hamilton, whose successful career afforded an example for Moran. Between the ages of 16 and 19 Moran was apprenticed to the Philadelphia wood-engraving firm Scattergood & Telfer; he then began to paint more seriously in watercolour and expanded his work as an illustrator. In the 1860s he produced lithographs of the landscapes around the Great Lakes. While in London in 1862 (the first of many trips to England), he was introduced to the work of J. M. W. Turner, which remained a vital influence on him throughout his career. Moran owned a set of the Liber studiorum and was particularly impressed by Turner's colour and sublime conception of landscape. With his wife, Mary Nimmo Moran (1842-99), an etcher and landscape painter, he participated in the Etching Revival, scraping fresh and romantic landscapes and reproductive etchings



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